On Writing: A Memoir of the Craft

English language

Published March 9, 2010

ISBN:
978-1-4391-5681-0
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4 stars (2 reviews)

"Long live the King" hailed Entertainment Weekly upon the publication of Stephen King's On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer's craft, comprising the basic tools of the trade every writer must have. King's advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported near-fatal accident in 1999 -- and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it -- fans, writers, and anyone who loves a great story well told.

5 editions

More a memoir than a how-to-write guide, but

4 stars

It's probably the closest we'll get to a proper memoir out of a very interesting & likeable guy, who's utterly unique in the publishing world.

Regardless of whether you are a fan of his actual output or not, you can't question his consistency, and as far as his style and approach to writing, he keeps it simple and straightforward, which for a beginning writer is really useful. And like all Stephen King works, it's an easy read that keeps moving.

Review of 'On Writing: A Memoir of the Craft' on 'LibraryThing'

4 stars

Un essai très agréable à lire autour de l'écriture.returnDans le premier tiers de l'ouvrage Stephen King revient sur les événements qui depuis son enfance ont marqué sa vie et construit sa personnalité d'écrivain.returnIl explore ensuite brièvement la boîte à outils du romancier (poussant l'analogie jusqu'à expliquer l'importance de chaque compartiment de la boîte à outils) avec le vocabulaire, la grammaire et le style.returnSuivent des considérations sur les personnages, les descriptions et les dialogues, puis une analyse plus en profondeur de son art d'écrire.returnAinsi, il ne débute pas un roman avec une intrigue définie en tête : l'évolution des personnages et des situations suffit à la faire apparaître naturellement. Il met un point d'honneur à réduire de 10% la longueur de son texte entre la première et la seconde version ; celle-ci est soumise à plusieurs relecteurs, dont sa femme qui reste sa lectrice idéale. Pragmatiquement, il nous partage aussi ses …